The article focuses on a one-act play Tom Stoppard wrote in 1968, when performance art experiments, mainly aimed at converting the ‘passive’ role of the audience into an (inter)active participation, were being undertaken in British theatres. "The Real Inspector Hound" is not an experimental play – it might actually be seen as a parody of those experiments – but is likewise centred on the role and agency of the audience and on the performative nature of role-playing. This article inspects the way in which even a ‘traditional’ piece like this, by offering the possibility to investigate some of the questions posed only metaphorically elsewhere, can provide a productive insight into the mechanisms by which we (both ‘performers’ and ‘spectators’...
Tom Stoppard once famously proclaimed his guilt that art is unimportant. The character Moon from Sto...
Using recent contributions in audience-response theory, my dissertation examines the phenomenon of t...
The paper examines the nature of narrative identity in Tom Stoppard’s plays Rosencrantz and Guildens...
The article focuses on a one-act play Tom Stoppard wrote in 1968, when performance art experiments, ...
Bibliography: p. 81 -82.In examining the theatre of Tom Stoppard, I have decided to use only plays t...
Ever since the 1966 debut of Rosencrantz and Guildenstern Are Dead to international acclaim, critics...
This thesis examines Tom Stoppard's comedy of ideas. A study of the relationship between form and co...
This thesis investigates Tom Stoppard s inclusion of music and other aural effects (including juxtap...
The modern literary landscape has been, and continues to be, dominated by the figure of Shakespeare....
© 2011 Meredith Joy FaragherBeginning with a brief overview of Stoppard’s career as a playwright, th...
Playwright: Tom Stoppard Director: Kathy Kurz Academic Year: 1977-1978https://scholarworks.sjsu.edu/...
This one act comedy by Tom Stoppard has two theatre critics watching a performance of a ludicrous mu...
What is the interplay between an event and its "frames"? What is special and distinctive about stage...
This thesis is an in depth analysis of Tom Stoppard's play, Travesties. The methodology of Francis H...
Mêlant entretien avec le dramaturge et analyse théâtrale, cet article s’attache à examiner les sourc...
Tom Stoppard once famously proclaimed his guilt that art is unimportant. The character Moon from Sto...
Using recent contributions in audience-response theory, my dissertation examines the phenomenon of t...
The paper examines the nature of narrative identity in Tom Stoppard’s plays Rosencrantz and Guildens...
The article focuses on a one-act play Tom Stoppard wrote in 1968, when performance art experiments, ...
Bibliography: p. 81 -82.In examining the theatre of Tom Stoppard, I have decided to use only plays t...
Ever since the 1966 debut of Rosencrantz and Guildenstern Are Dead to international acclaim, critics...
This thesis examines Tom Stoppard's comedy of ideas. A study of the relationship between form and co...
This thesis investigates Tom Stoppard s inclusion of music and other aural effects (including juxtap...
The modern literary landscape has been, and continues to be, dominated by the figure of Shakespeare....
© 2011 Meredith Joy FaragherBeginning with a brief overview of Stoppard’s career as a playwright, th...
Playwright: Tom Stoppard Director: Kathy Kurz Academic Year: 1977-1978https://scholarworks.sjsu.edu/...
This one act comedy by Tom Stoppard has two theatre critics watching a performance of a ludicrous mu...
What is the interplay between an event and its "frames"? What is special and distinctive about stage...
This thesis is an in depth analysis of Tom Stoppard's play, Travesties. The methodology of Francis H...
Mêlant entretien avec le dramaturge et analyse théâtrale, cet article s’attache à examiner les sourc...
Tom Stoppard once famously proclaimed his guilt that art is unimportant. The character Moon from Sto...
Using recent contributions in audience-response theory, my dissertation examines the phenomenon of t...
The paper examines the nature of narrative identity in Tom Stoppard’s plays Rosencrantz and Guildens...